Summer 2011 Jazz Festival Tour
Thrilling instrumentals and
vocals.
Boldly fresh interpretations of originals
and standards.
A classic sound and riveting jazz
solos.
Jazz festival
presenters are often looking for one act that can do several things at once: showcase
top level professionals performing instrumental and vocal numbers, appeal to a
broad age range of new-to-jazz fans as well as aficionados, appeal to
mainstream jazz tastes as well as those looking for original compositions, and
lend a sense of spectacle to an important evening during the festival. That is,
the kind of uplifting musical performance that leaves the audience with an
inspired memory.
The Whitney Smith
Big Steam Band, now working out of London, New York and Toronto for its three
main markets, provides all of this — at an affordable price. Just ask our
former clients.
"We have
received nothing but compliments from the audience on the Big Steam Band's
performance. Personally, I felt it was a great show with a distinct brand of
big band music not often heard any more." — Peter Tulloch, Oakville
Jazz Festival, Ontario
BAND STYLE &
REPERTOIRE
The Big Steam
Band plays swing, jazz, Latin and blues. Its roots are in the late 1950s sound
of Count Basie Orchestra with Frank Sinatra, the arrangements in the tradition
of Nelson Riddle, Billy May and Quincy Jones, and the full-bore vocals that can
lead the drummer and touch the audience.
A Big Steam Band
performance presents 75% original compositions and 25% classic jazz standards
arrangements penned by Riddle, May or Jones. However, depending on your
festivalÕs artistic mandate, we can adjust this ratio.
The Big Steam
BandÕs trademark instrumentals and vocal compositions are written by its
bandleader and guitarist, Whitney Smith, and arranged by head arrangers, Andrew
Jones and Jake Wilkinson.
What thrills
audiences at a Big Steam Band concert is that the original compositions and
arrangements fit a familiar tradition while being new to their ears. Our
clients have found that the experience of hearing new music, written by the
person up onstage leading the band, provides extra value for audiences.
"Even before
reaching the end of their opening number the audience was applauding
enthusiastically. At intermission, everyone was all smiles; it was a forgone
conclusion that there would be a standing ovation at the end. Michele Doyle's
voice was awesome — warm and furry or sexy and slinky — as needed.
Sprinkled throughout the program were old jazz and swing standards, but if they
didn't tell you that the rest of the tunes were written by Whitney, and
arranged by various members of the band, you would be sure that they were old
Dorsey or Ellington tunes that you had forgotten. Wonderful!" —
Peter D. Smith, General Manager, Imperial Theatre, Saint John, New Brunswick.
FITTING INTO YOUR
FESTIVALÕS MANDATE
If this is what
youÕre looking for, the band is now booking for June and July in Ontario,
Quebec and New York State, and late July to October in Europe.
The band can
perform a single set of 60 minutes, or, two-sets of 100 minutes of music.
The sound samples
at http://www.whitneysmith.ca/SummerTours2011
will give you
sense of our program for your festival. If the negotiations continue, Whitney
will contact you to discuss the exact parameters of your festival, and how the
Big Steam Band can be a successful expression of its mandate.
Contact us at
bookings [at] whitneysmith.ca to get a quote. You may be pleasantly surprised
at how our prices compare to other top level professional jazz orchestras.
"I love
WhitneyÕs personal compositions. Some of the tunes are still hanging around in
my head, and deserve to become standards. The variety of styles was
amazing!" — Judy Amesbuy, Performing Arts Lakefield.
"The whole
evening was transporting — it was sophisticated, cool and stylish. I felt
I was in another place and time." — Karen Mulhallen, editor, Descant
Magazine.